William Henry

THE SIGN OF THE STARWALKER

THE SIGN OF THE STARWALKER

Sometime in the late 1990s, I saw a photo taken by Graham Hancock’s wife, Santha, of the Starwalker, Orion, on the Ark of the Millions of Years from the ceiling of the temple of Hathor at Denderah, Egypt. 

The moment I saw this image I instantly recognized that the shape of Orion’s ship matches the way modern science illustrates a wormhole, a cosmic shortcut through space-time. It is based on the concept of the interconnectivity of all creation at the quantum level and the interchangeability of matter and energy.

I know. It sounds kooky (certainly no one else was saying this back then). It was my ‘Robert Bauval / Dr. JJ Hurtak moment’ when each independently observed that the three pyramids of Giza are mirror images of the three belt stars of Orion.

Before me, no one had made the connection to the wormhole consciousness inferred by this image which I saw as being alive with references to wormholes, quantum entanglement, multiple dimensions, and the transfiguration of the human body into light. 

Osiris-Orion travels across the sky on the sacred boat. The stars of Orion were associated with Osiris, the sun-god of rebirth and afterlife.

The Ark of the Millions of Years, the ship of Orion, revealed as a wormhole.

The ‘making’ (identifying) of this Stargate imagery at Denderah concretized the universal law attributed to Thoth: As above. So below. As within. So without. 

I didn’t know it then, but at that moment I had made my first contact with the Starwalkers. 

Getting the shot of the Starwalkers on the ceiling of Hathor’s Temple, Denderah, 2003.

Following them became my ‘thing’. My passion for apotheosis (human transformation into divine beings), the Rainbow Light Body, stargates and wormholes, and 18 seasons of ANCIENT ALIENS, all followed on this.

And more.

I had previously been inspired by the work of Dr. Charles Muses who said the ancient Egyptians had developed a technology, a sacred science, in which tones, lights and plants were used to create a Karast or resurrection body that enabled them to travel the stars like the gods. 

This sacred science was based on human transformation or transfiguration into stellar beings via an oil that healed, transformed, and transmuted the human body. 

When I combined this oil with the wormhole imagery I understood that human transformation or apotheosis into divine beings was a preparatory step to traveling the universe via wormholes. 

This oil, later known as Christos, is found on the tip of the wand in Orion’s hand (which symbolizes the Holy Spirit). It is drawn from the Milky Way.

With this oil the ancient Egyptian, and early Christian initiates, could be like the gods and travel the universe in a flash, in a twinkling of an eye.

As I elaborated, the Mother Mary, Mary Magdalene and Jesus were all Starwalkers who divinely manifested in our world to elevate human consciousness and accelerate human evolution. 

The way to do this was taught to humans; an esoteric “society” of Starwalkers who possessed complete knowledge of the original stellar religion. 

They were called by many names. They appear everywhere ‘under the Sun’.  They are part of a rich heritage that links the Jewish mystical teaching of the Essenes, the earliest Christians, the gnostics, the Buddhists and many others, including the Egyptians and the Greeks. Then there are the mystics of Iran and India.

This Society of Starwalkers (SOS) included male and female members, priests and priestesses, as well as members who were Starwalkers from other realms.

I spent the next twenty years studying and writing about these wondrous Starwalkers and the Dimension of the Blessed that they inhabit. 

The journey was transformational.

By 2020, I’m deep in the study of esoteric plants, including some that do not originate on earth, and plant medicines that are entheogenic (or ‘awaken the divine within’). 

2023, I’m journeying for my life. My neuro-secretory system is firing unlike ever before. My heart blasts wide open. The veil lifts. My reality switches.

I find myself in a massive otherworldly stone temple with towering columns of hues of green and purple. It reminds me of the Temple of Hathor at Denderah, Egypt but its a much grander and finer version than the earthly iteration of the fractal that we experience or even imagine in our normal waking consciousness. 

Suddenly, I see an enormous purple glass Egyptian-style throne filled with the stars. I instantly recognize it as one of the ascension thrones I have been studying for nearly 25 years. Until this moment I had never actually ‘seen’ it. 

 

Isis on her ascension throne, Denderah.

Seti I and Isis on her feathered ascension throne. 

But here it is….

Oh my, God.

It’s full of stars.

Suddenly, a mermaid’s tail appears and is gently waving upon the throne. She, too, is shimmering  and iridescent, like a peacock feather in purple, turquoise and green and shot with gold. She is stunning. Motherly. Isis? Hathor? Mary? 

Yes.

She speaks to me.

“William, your work with the star boats in Egypt is beautiful,” she says, referring to my Ark of the Millions of Years is a wormhole theory.

Flabbergasted by the mermaid’s recognition of my life work, I humbly thank her.

“No, really,” she affirms. “It’s truly beautiful.”

Then, she continues, “You know that image of the Starwalker on the sarcophagus in the Cairo Museum you have been trying to capture for years and years?,” she asks. 

I instantly knew the one. It’s on the interior of the sarcophagus of Merenptah, the grandson of king Seti I. Until 2020 it was in the main entrance at the Cairo Museum.

The sarcophagus of Merenptah, son of Ramses the Great. 

“That’s you,” she said. 

For sure. I thought. I have spent my life trying to uncover the mysteries of these Starwalkers. “Yes, I identify with them,” I replied.

“No. That is you,” she said.

The way she said it brought instant understanding. 

I got it. 

I am the Starwalker. I am Orion. 

So are you.

She sent me out to put you on the boat of the millions of years, the Serapis, to connect you in to a consciousness that is beyond human, to draw down the power of the stars, and to change our world by uniting all the world’s religious and spiritual traditions. 

Enfolded within the Starwalker logo are all the mysteries of transfiguration. 

Her presence is there, too. I hope you can feel it now as you read these words.

We are at the beginning of a fantastic journey. 

I am grateful to have your support, appreciation and encouragement to get me where I am today and look forward to where we go tomorrow.

The Starwalker on the boat?

That’s you, too.

The Serapis is docking. It’s time to climb aboard. Join us in Nashville, April 13-14, 2024 for “Starwalker : Origins”. 

Starwalker: Origins

William Henry is a Nashville-based author, investigative mythologist, and TV presenter. He is an internationally recognized authority on human spiritual potential, transformation and ascension

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